The Vision of the End

Akhil B Nair
3 min readMay 5, 2022

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Captured by Sabeel Muhammad

“The End is near!!!” these were the last words of my friend’s grandmother. It was believed she used to do black magic and had strange revelations. Nobody knew what she meant by “The End,” not even my friend’s family. There were fewer people at her funeral since it was during the beginning of the COVID-19 isolation.

Distress can be a disengaging experience, yet as the world adjusts to life in a pandemic, we are compelled to overhaul how we lament as communities in disengagement. Furthermore, when a society can’t genuinely meet up in misfortune, they discover approaches to be separated.

I live on the western bank of Malappuram, in the district of Kerala. We are known for our delightful landscape, friendliness, humour, and feeling of community. Furthermore, on April sixth, 2020, we got known for something different: a title with a weight excessively substantial to hold amidst isolation. We turned into the site of the topmost Covid-19 cases in the Kerala state. This undetectable foe vexed individuals; this infection influenced our city’s more significant part, causing numerous individuals to lose their precious ones.

Our caring communities were stunned and broken, while the truth of social distancing shields us from doing what we would ordinarily do amid misfortune. We need to meet up to give and get comfortable. We need to hold one another, cry, and make food, to help those affected. However, the bounds of COVID-19 make it hard to grieve.

What do we do when we can’t meet up to lament?

We meet up, separated. What’s more, they self-destruct together.

We light candles and spot them on our doors to push out the ambiguity.

Our blue plaid holds tight railings and doors, and paper hearts fill our windows.

We attempt to locate the correct words; we go to melodies along these lines.

We assemble virtual quality from virtual sources.

We sing tunes from galleries, songs in our blood, and numerous renowned ballads in Northern Kerala.

We hold pledge drives online to provide financial assistance to affected families.

When we can’t do what we typically do, we do what we can.

In our district, the house’s core is the kitchen and where we frequently assemble to play tunes and offer stories. Locally, a Facebook page called The Top Kerala Kitchen Party (COVID-19 version) began as an approach to remain associated through the COVID emergency. Individuals record from home and transfer recordings to the page. One video shows a 15-year-old young boy playing the flute. Days after the fact, he would turn into the most youthful victim of this ruinous infection. The page immediately changed to show many recordings about the families affected. Individuals only needed a spot to communicate their misery, share tunes, new and old, and give their sympathies. The nation goes to us, grasping our area, sending uplifting statements and backing.

Harmoniums, guitars, and flutes fill the online air. Here, a youthful Air Force official from Kerala plays a shocking accolade for the casualties on his guitar. After seven days, he is one of eight Indians on board a helicopter that crashes into international borders between India and Pakistan. The news gets back home, and once more, we are gutted. Once more, we can’t meet up. Everything appears to be an excessive amount to manage. However, we continue discovering approaches to associate our pain in the manners that the current atmosphere permits.

My friend and I slowly started understanding what his grandmother was trying to convey on her death bed. We were scared, and so did many families in Malappuram. It did feel that the end was near.

Eulogies let us know there will be time later to commend the lives of those lost; however, we pause for the time being. We hold our torment gently.

We hang tight until the day we can hold each other once more.

Great job!

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Akhil B Nair
Akhil B Nair

Written by Akhil B Nair

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A passionate writer by the day and a prolific reader by night!

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